As Sisko tries to break through the blockade, we discover that Damar has Kira, Leeta, and Jake locked up, eliminating practically every chance they have of sabotaging the plan to destroy the minefield. That’s something that happens over and over again, though. Having Gul Dukat predict Sisko’s move made this feel even more impossible. Visually, that’s definitely achieved, but it’s also accomplished through other parts of the story. Goliath kind of combat, the sort of thing where one side was the clear underdog. The show had a responsibility in those sequences: to get the audience to feel like this was a David vs. It was just so pretty, and even if I didn’t see thousands of ships on the screen, it certainly felt like it. The opening of “Sacrifice of Angels” felt like one of the biggest battles in the entire Star Trek universe, both in terms of the effects and the sheer scope of it. What a monumental story! Yet even the individual pieces are compelling and exciting, too. I’ll try to go through this chronologically because there’s so much to cover. What do I even say about this show at this point? It just feels so much bigger and scarier and bolder than the rest of Star Trek, and I love it. In the sixth episode of the sixth season of Deep Space Nine, how is this show real? If you’re intrigued, then it’s time for Mark to watch Star Trek.
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